The Pull
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At the third opening, everyone slowed down.
Not enough to notice at first. One person hurried as though late for their own life. Another eased their pace, as if testing whether the old stone could still bear their weight. The crowd had a rhythm, almost a breath: step, pause, step.
One, two, three.
At the third opening, a shoulder would turn slightly aside, and a gaze would slip toward where the cool shade ended and the square began. Then the rhythm quickened again.
Beneath the vaults, shadow received everyone alike. Faces lost their features, clothes their colour. No name was needed here. You could be a body among bodies, a footstep among footsteps, and soon merge with the grey of the masonry, the worn surfaces, the damp held in the stone even at midday.
Only pale gestures of hands and fleeting profiles remained, turning again and again in the same direction.
The orange sign was impossible to miss.
She stood by the wall and waited for the crowd to thin. Someone laughed behind her. A child ran past. Heels clicked against the stone. From a distance came the toll of a bell, then another – slower, heavier. The smell of water briefly entered the cool of the arcade and disappeared again.
An old story claimed that once, here, a single written name had been enough.
Whoever wrote it could walk away. Whoever heard their own did not always return by the same road. No one knew how much of it was true. But bodies remember longer than minds. That was why, at the third opening, people still turned slightly aside.
One, two, three.
She too had grown used to remaining beneath the vaults. Here everything had limits: darkness clung to the walls, footsteps repeated, and the light reached only the edge of the paving stones. Shadow was a good hiding place. As long as you stood within it, no one asked you to choose.
In the square, the light did not so much illuminate people as strip them of detail. Faces, buttons, wrinkles, colours. The moment they stepped out from beneath the vaults, they became movement, a white patch, a long shadow beneath their feet. Some hurried; others stopped for a moment. Yet almost all looked toward the same orange sign.
Perhaps they had arranged to meet there.
Perhaps someone was already waiting.
Or perhaps, in the light, it only seemed that way.
A man ran past her, holding his hat with one hand. Then came two women, speaking so quickly that their voices merged with the footsteps.
At last, an old man appeared.
He stopped at the third opening, as everyone did.
Only he did not turn aside.
For a few more moments, the crowd continued in its rhythm, but he had already fallen out of it. He looked toward the square for a while. Then he stepped forward – calmly, as though he had been preparing for this for a long time, although no one was watching.
The light passed over his face, his shoulders, his hands. After a few steps, he was already difficult to distinguish from the others. A few more, and only a small dark figure remained, moving toward the orange sign.
She stepped away from the wall.
The cool of the vaults still clung to her hands. The old warning was still there – not in words, only as a faint resistance in the body. But beyond the edge of shadow, the square looked larger than she remembered.
The light promised nothing aloud.
It only left the way open.
See the whole painting on Singulart →
The Pull, 2026
Oil paint, oil pastel and texture paste on black-primed canvas
60 × 80 cm · from the Echoes of Presence series